She had plans to travel the country, on a bus bought from the company. I wonder if she got there, or if she never left home.<\/em><\/p>\nShe had this crazy idea to buy a big old bus and convert it in to a traveling home and just go around the country hanging out and visiting people. On this particular crazy night I wondered if she ever did it, or if she shelved her dreams. Her life had tragic elements but I never knew where the fiction began and the fact ended. That restless night I needed her to be in her bus somewhere north, up the coast or in the desert.<\/p>\n
I had some chords lying around. I’d discovered the main riff of E minor to E major and I was quite proud of that, as I’d never seen it done before. I had the chorus line and I had an idea of making each chorus one line longer than the previous one. To try and make the song jar, matching the restless mood.<\/p>\n
I’ve been missing you<\/em><\/p>\n<\/em>She always wanted someone to write a song for her so I thought I’d give it a crack. By the end I’m not sure what the song was about. Like many songs, the constraints of rhyme, structure, time and instinct take the writing to surprising places.<\/p>\n(Six) years in the desert and I wrote this strange dialect. What here does that mean? Like I never did stumble.<\/em><\/p>\n<\/em>It was six years since I knew her. But then the song went off in strange new directions. I guess the desert is a metaphor for loneliness.<\/p>\nI’ve been missing you. But it’s so late at night.<\/em><\/p>\nWinding back through ancient dust, Outback rumble to memory past, living breathing forward through, an iris blue, a sky clouded in mood, golden and clear, shed no crocodile tears.<\/em><\/p>\nThe bridge is my favourite part of the song. The break to C and E minor makes easy work after the verses. The lyrics dripped off my pen without any consideration for interpretation. Reading them now, there’s a yearning for home. There’s a sense that when you’re anxious, lonely, fearful, your focus narrows and you loop bad material in your brain. It’s about winding back and seeing the wider truth.<\/p>\n
Living in a coma, like I’d ever go and phone her. When the moments passed, was it ever that good?<\/em><\/p>\nI’ve been missing you. But it’s so late at night. Restless Moon is shining bright.<\/em><\/p>\n<\/em>Not a very romantic ending I admit. But hey memory makes everything seem idyllic. Let it go man. I love singing this last chorus with Jay.<\/p>\nThe ending became a band jam with momentum building through each repeat. Rob loves banging out the drums to the end. The rest of the song has been hard work; all strange section lengths and changes. Now the song has made its mind up and it’s a simple three-chord race to the end with some nice organ overdubs.<\/p>\n